“They cannot express themselves normally except in certain places. Your life becomes a scenario in which you are pretending to be someone else. Your job, your relatives become part of this performance, and little space is left to act as you would really want to be. It is insane,” he said via email.
Since 2008, Laiz’s work has focused on marginalized and repressed groups, including HIV orphans in Uganda and ex–child soldiers from Joseph Kony’s Lord’s Resistance Army. Laiz arrived in Mongolia by chance but quickly became interested in how LGBT Mongolians fare in a society that leaves almost no room for sexual or gender diversity. “I’m not a war photographer, so I have a limited experience in terms of ethnic violence or open conflicts. But what I can tell you is that this kind of repression is as cruel as the ones that arise during conflict,” Laiz said.
After doing research through NGOs and other organizations, Laiz located several subjects who gave him access to their lives. Some worked in nightclubs or as prostitutes and could only reveal their identities in those realms. Others were ballet dancers, social workers, tour guides, and teachers who presented as men in their work environments. Laiz also photographed his subjects in traditional Mongolian queen costumes as part of a more lyrical, less documentary-style aspect of his project. “I wanted to show how they are, but also how they see themselves. Identity isn’t a one-way concept but a fluent mixture of influences, both internal and external, which forms the way we face the world,” Laiz said.